Specific Styles

Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture

Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.

Both dome and architect offer King plenty of rich material. The story of the dome goes back to 1296, when work began on the cathedral, but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks, and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism," finally seeing his dome completed only months before his death. King argues that it was Brunelleschi's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel." He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton, Amazon.co.uk

Ross King has a knack for explaining complicated processes in a manner that is not only lucid but downright intriguing. . . . Fascinating." (Los Angeles Times)

By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man-even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore-a feat of architectural daring that we continue to marvel at today-thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air. Ross King's captivating narrative brings to life the personalities and intrigue surrounding the twenty-eight-year-long construction of the dome, opening a window onto Florentine life during one of history's most fascinating eras.

Modern Architecture Since 1900

Universe of Stone: A Biography of Chartres Cathedral

Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this time, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.

By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

Programs and Manifestoes on 20th-Century Architecture

The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. In point of view, the book covers the aesthetic spectrum from right to left; from programs that rigidly generate designs down to the smallest detail to revolutionary manifestoes that call for anarchy in building form and town plan. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.

Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.

Sustainable Construction: Green Building Design and Delivery, Second Edition

The green building movement has come a long way in a short time. Responding to this exponential growth, with its attendant technological as well as aesthetic developments, Sustainable Construction: Green Building Design and Deliver, Second Edition guides construction and design professionals through the process of developing commercial and institutional high-performance green buildings in today's marketplace.

In this revised edition, Charles Kibert delivers a detailed, and passionate, overview of the entire process of green building, covering the theory, history, state of the industry, and best practices in green building. Kibert uses not only the dominant LEED assessment system, but includes such newer ones as Green Globes and several noteworthy building assessment systems from other countries. Sections introduce the background of the green building movement and walk you through such aspects as the background of high-performance green building design, green-building assessment, the green building process, and ecological design.

Broad enough to cover the needs of faculty and students in architecture, engineering, landscape architecture, interior design, and construction management, yet focused enough to serve as a reference for building owners and buyers of construction services, Sustainable Construction is a comprehensive look at an emerging process that is environmentally sounds while making good economic sense.

Atomic Ranch

Atomic Ranch is an in-depth exploration of post-World War II residential architecture in America. Mid-century ranches (1946-1970) range from the decidedly modern gable-roofed Joseph Eichler tracts in the San Francisco Bay area and butterfly wing houses in Palm Springs, Florida, to the unassuming brick or stucco L-shaped ranches and split-levels so common throughout the United States.

California Romantica: Spanish Colonial and Mission-Style Houses

California Romantica features the most important, yet rarely seen, residential exemplars of the California Mission and Spanish Colonial styles, by such noted architects as George Washington Smith, Wallace Neff, Richard Requa, Lilian Rice, and Paul R. Williams, among others. From whitewashed stucco walls and cloistered patios to tile roofs and sumptuous gardens, each house shown is a rare masterpiece, splendidly appointed with authentic Monterey furniture, California tile, and Navajo rugs. Among the magnificent seaside estates, canyon villas, and courtyard bungalows shown is Diane Keaton’s former home in Beverly Hills, which she thoughtfully restored with noted designer Stephen Shadley, and for which she has been recognized as a committed preservationist. She brings her cinematic eye, a keen sense of natural drama, and a profound appreciation for the nuances of shadow and light to the elucidation of these buildings, through the selection of specially commissioned photography. Authoritative text by D. J. Waldie lucidly explicates the architecture and provides an intimate tour of a historic and distinctly Californian lifestyle.

S M L XL: Second Edition

This extraordinary, massive, and mind-boggling 1,300-page book combines essays, manifestos, diaries, fairy tales, travelogues, a cycle of meditations on the contemporary city--and complex illustration--with work produced by Koolhaas' Office for Metropolitan Architecture over the past twenty years. This almost overwhelming accumulation of words and images illuminates the condition of architecture today--its splendors and miseries--exploring and revealing the corrosive effects of politics, context, the economy, and globalization. In some ways, this is the "Medium is the Message" of 1990s architectural discourse: guaranteed to be hugely influential in the coming decades, but grossly misunderstood by those who have not read it. The core arguments it makes about metropolitan architecture--accepting complexity and lack of centralized control--are similar to those of Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems and the Economic World. Very highly recommended.

S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society.

The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.

The Green House: New Directions in Sustainable Architecture

From the arid deserts of Tucson, Arizona to the icy forests of Poori, Finland to the tropical beaches of New South Wales, Australia to the urban jungle of downtown Manhattan, critics Alanna Stang and Christopher Hawthorne have traveled to the farthest reaches of the globe to find all that is new in the design of sustainable, or "green," homes. The result: more than thirty-five residences in fifteen countries -- and nearly every conceivable natural environment -- designed by a combination of star architects and heretofore unknown practitioners.
Six different climactic zones are presented in The Green House -- waterfront, forest and mountain, tropical, desert, suburban, and urban; there is also a section on mobile dwellings. Each chapter features a series of homes that show the diversity and possibility of sustainable design. Projects are presented with large color images, plans, drawings, and an accompanying text that describes their green features and explains how they work with and in the environment.
Architects included: Santiago Calatrava, Shigeru Ban, Miller/Hull, Rick Joy, Lake Flato, Kengo Kuma, Glenn Murcutt, Pugh & Scarpa, Werner Sobek, and many others.
The Green House is not only a beautiful object in its own right, but is sure to be an indispensable reference for anyone building or interested in sustainable design -- and if you ask us, that should be everyone.

Bungalow Details Exterior

What defines an Arts and Crafts bungalow? What makes it different from other small, one or one-and-a-half story houses?
In Bungalow Details: Exterior, you'll learn of the elements that make up the whole experience: sleeping porches, knee braces, river rock columns, pillars, three-part front windows, low-pitched roofs, shingle siding, art glass light fixtures, clinker brick chimneys, pergolas, exposed rafter tails, and an extensive use of wood, stone, and brick. None of these features by themselves characterize a bungalow, but it is often the way these details and others are combined-and the philosophy they represent-that makes a house a true, authentic Arts and Crafts bungalow.
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