Aldo Rossi: The Sketchbooks 1990-97
from Thames & Hudson
One of the most influential architects of the postwar era, Aldo Rossi has enriched the world of design and architecture with his imaginative ideas, his people-friendly buildings, and his dedication to teaching. Capturing the essence of Rossi's multidisciplinary approach are his exquisite drawings. From his treatise The Architecture of the City (1966) and his seminal Cemetery of San Cataldo (1971) to his popular Hotel II Palazzo in Fukuoka (1987) and a public housing project in Berlin (1992-98), his paper explorations and renderings have been an integral part of his creative process and a key to understanding the meaning behind his architecture. This delightful volume collects over two hundred of Rossi's most recent and largely unpublished drawings, executed between 1991 and his tragic death in 1997. From his musings on Casa Alessi (1989-94) to more ambitious projects for the Walt Disney Corporation (1996), each drawing conveys the individuality and idiosyncrasy of a master at work. It is too easy to describe these personal and exuberant images as works of art, for they are much more: documents, records, visions, and illuminations of a master at work. 226 illustrations, 191 in color.
Aldo Rossi: Drawings and Paintings
by M. Adjmi
from Princeton Architectural Press
Aldo Rossi is admired as much for his artistic ability as for his architectural design skill. His drawings, paintings, and renderings have been exhibited in museums and galleries from New York to Moscow, and formed the basis of a 1991 retrospective at the Pompidou Center in Paris.
This elegant book collects over 200 color reproductions and 200 black and white reproductions of his drawings and paintings together in a companion volume to Together the text and plates offer an insight into the creative mind of one of the most important architects in practice today.
A Scientific Autobiography
by Aldo Rossi
from The MIT Press
Postscript by Vincent Scully
Based on notebooks composed since 1971, Aldo Rossi's memoir intermingles his architectural projects, including discussion of the major literary and artistic influences on his work, with his personal history. His ruminations range from his obsession with theater to his concept of architecture as ritual. The illustrations-photographs, evocative images, as well as a set of drawings of Rossi's major architectural projects prepared particularly for this publicationwere personally selected by the author to augment the text.
Architecture, seven architects: [Raimund Abraham, Emilio Ambasz, Richard Meier, Walter Pichler, Aldo Rossi, James Stirling, Venturi and Rauch
Aldo Rossi: Collector's Edition
Princeton Architectural Press is pleased to offer a limited edition of Aldo Rossi: Drawings and Paintings and Aldo Rossi: Architecture. This collector's item consists of both hardcover volumes contained in a handsome slipcase. Also included is an original colored etching, La finestra del poeta a N.Y. con la mano del Santo. Printed by letterpress on 81/2 x 11 Rives paper, each etching is initialed and dated by Aldo Rossi in a numbered edition of 250. This comprehensive and unique edition is a wonderful addition to the libraries of fine book collectors and anyone interested in the work of this great architect and artist.
I quaderni di Aldo Rossi Grihah
The Italian architect and theorist Aldo Rossi (1931-1997) gained international renown for his imaginative and starkly beautiful designs featuring simple forms such as cones, cylinders, prisms, and cubes. Among his most famous projects are the cemetery of San Cataldo in Modena; the Gallaratese residential complex in Milan; the Hotel Il Palazzo in Fukuoka, Japan; and Il Teatro del Mondo, a temporary floating theater created in 1979 for the Venice Bienniale.
This limited, boxed-set edition contains facsimiles of Rossi's notebooks for the years 1968 to 1986. Their pages are filled with Rossi's thoughts on architectural theory and history, his musings on progress, cities, and museums, and the impressions he recorded during his extensive travels. Handwritten in Italian and illustrated with Rossi's superb pastel and watercolor sketches, these literate and visually stunning notebooks display the genius of an architect and theorist who was, at heart, a poet of the visible.
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