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Design Drawing
by Francis D. K. Ching
from Wiley
Design Drawing Book and CD - ROM Francis D.K. Ching with Steven P. Juroszek Author and architecture educator Francis D.K. Ching shares his unique command of visual language in this new presentation of drawing principles and techniques. Design Drawing is a comprehensive introduction to drawing and more-its innovative book-plus-CD-ROM package sheds new light on the relationship between perception, drawing, and design. In his distinctive graphic style, Ching takes us on an exciting journey through the process of creation. He unmasks the basic cognitive processes that drive visual perception and expression, incorporating observation, memory, and rendering into a creative whole. But the author sees drawing "not only as artistic expression but also as a practical tool for formulating and working through design problems," showing us how to apply "visual thinking" as a versatile tool for approaching design projects. Design Drawing covers the traditional basics of drawing, including line, shape, tone, and space. Different types of artistic conventions such as multiview, paraline, and perspective drawings are also lucidly explained. The final section, "Drawing from the Imagination," fuels the creative spirit to find its own direction. Throughout the book you'll find over a 1,500 hand-rendered drawings and exercises which reinforce the concepts and lessons of each chapter. The supplemental CD-ROM is packed with brilliant gems of information and instruction, elucidating a broad range of design drawing concepts through the communicative power of animation, video, and three-dimensional models. Intended for use with the book or as a stand-alone supplement, the CD-ROM includes 25 interactive lessons which demonstrate concepts and techniques in a way that a 2-D book format cannot. For example, the CD-ROM contains video of the author demonstrating freehand techniques in a step-by-step manner, as well as the author's voice throughout the CD-ROM explaining the various lessons. For professional architects, designers, fine artists, illustrators, teachers and students alike, this all-in-one package is both an effective tool and an outstanding value. System Requirements: Windows(r) Processor - 486DX 66 MHz (Pentium recommended) RAM - 16 MB Hard disk space available - 10 MB Graphics card and monitor - 640 × 480 SVGA display/256 ColorSound Blaser compatible sound card and external speakers Windows(r) 3.1 or Windows '95(r) 4X CD-ROM Drive Macintosh(r) Processor - 68040 25 MHz or PowerMac 601 (Quadra 650 or/PowerMac 6100 or better) RAM 16 MB Hard disk space available - 10 MB Monitor - 256 colors (640×480) Standard internal Mac sound (external speakers optional) Operating System: System 7 or later 4X CD-ROM drive
Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture
by Ross King
from Penguin (Non-Classics)
Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.
Both dome and architect offer King plenty of rich material. The story of the dome goes back to 1296, when work began on the cathedral, but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks, and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism," finally seeing his dome completed only months before his death. King argues that it was Brunelleschi's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel." He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton, Amazon.co.uk
Ross King has a knack for explaining complicated processes in a manner that is not only lucid but downright intriguing. . . . Fascinating." (Los Angeles Times)
By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man-even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore-a feat of architectural daring that we continue to marvel at today-thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air. Ross King's captivating narrative brings to life the personalities and intrigue surrounding the twenty-eight-year-long construction of the dome, opening a window onto Florentine life during one of history's most fascinating eras.
Towards a New Architecture
by Le Corbusier
from Dover Publications
This pioneering proclamation by the great architect expounds Le Corbusier's technical and aesthetic theories, views on industry, economics, the relation of form to function, "mass-production spirit," and much more. Profusely illustrated with over 200 line drawings and photographs of Le Corbusier's buildings and other important structures.
Programs and Manifestoes on 20th-Century Architecture
from The MIT Press
The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. In point of view, the book covers the aesthetic spectrum from right to left; from programs that rigidly generate designs down to the smallest detail to revolutionary manifestoes that call for anarchy in building form and town plan. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM.
Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.
Le Corbusier Le Grand
by Editors of Phaidon
from Phaidon Press Inc.
Editorial Reviews
Le Corbusier Le Grand is an enormous and enormously appealing monograph on one of the greatest and most controversial visionaries of the twentieth century: Le Corbusier (1887-1965). Publisher Phaidon's super-sized volume features thousands of stunning photographs of the seminal architect, his buildings and plans, writings, and related documents (sketchbooks, personal snapshots, even postcards). With the turn of each page, readers can follow Corbusier's trajectory from revolutionary young artist and prolific writer to globe-trotting, celebrity-crusader for modern architecture and urban planning. Esteemed architectural historian and Corbusier expert Jean-Louis Cohen provides an elegant introductory essay to this veritable archive of images. We learn that although the Swiss-born Le Corbusier hailed from a small town in a small country under the modest name Charles-Edouard Jeanneret, he was destined for greatness--largely of his own design. A prime mover behind the International Style (perhaps the first truly global architectural-design language), Corbusier brought modern design principles and their promise of improved living standards to the world stage. Futuristic high rise apartment complexes, office towers, highly functional streamlined interiors and furniture made primarily of industrial materials may all be attributed in part to him and his controversial utopian mission to transform our daily lives into a highly functional and beautiful system. Le Corbusier Le Grand is an extravagant, yet essential tome for libraries, those interested in modernism, city planning, and especially those with a really big coffee table. --Lauren Nemroff
LE CORBUSIER LE GRAND is the only book you'll ever need on the world's most influential architect.
''He is the Leonardo of our time.'' - Eero Saarinen
''He has provided enough for a whole generation to live on.'' - Walter Gropius
''The world's greatest architect.'' - Oscar Niemeyer
''Without question No. 1.'' - Philip Johnson
Le Corbusier (1887-1965) is known as of one of the giants of twentieth-century architecture and design. The Swiss-born, self-named architect was not only the creator of some of the most impressive buildings of the last century, he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force today, and his elegant manner, typified by his iconic round black eyeglasses, is still the signature look for architects around the world. Only a book grand in size could encapsulate such a legendary figure.
Phaidon Press is pleased to announce the publication of LE CORBUSIER LE GRAND, a spectacular visual biography of the life and work of the father of Modern architecture. Weighing in at 20 pounds, this massive book is packed with 2,000 images and documents, many rare or previously unpublished. Drawing on an array of archival materials, this sumptuous volume depicts not only the vast and varied output of Le Corbusier, but also the major events, people, and forces that shaped the life of a man who continues to fascinate those in and outside the architectural world.
LE CORBUSIER LE GRAND follows the same dramatically oversized design of the critically acclaimed Andy Warhol Giant Size (Phaidon, 2006). The large format enables the reader to explore in detail a myriad of fascinating photographs, letters, personal correspondence, art works, notes, press clippings, sketches, and ephemera all featured in this one of a kind publication. The rarely seen photographs and correspondence shed new light on Le Corbusier's relationships with Josephine Baker, Eileen Gray, Fernand Léger, Pablo Picasso, and many others. A separate booklet includes transcriptions and translations (from French to English) of all featured documents.
LE CORBUSIER LE GRAND includes an insightful introductory essay by Jean-Louis Cohen, one of the world's most authoritative architectural historians, and incisive chapter introductions by Tim Benton, a highly regarded Le Corbusier scholar. This luxurious book is a striking addition to any coffee table, making it an extraordinary gift for anyone with an interest in art, architecture, or design.
Theoretical Anxiety and Design Strategies in the Work of Eight Contemporary Architects
by Rafael Moneo
from The MIT Press
The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries -- all architects of international stature -- and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects -- James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron -- has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text.
Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals.
Paul F. Aubin's Mastering Revit Architecture 2009
by Paul F. Aubin
from Autodesk Press
Master the software that industry professionals use to create compelling architecture! Experienced-based practical advice is at the core of this concise reference guide by veteran author Paul F. Aubin, who makes learning Autodesk Revit® Architecture 2009 easier than ever. Designed to shorten the learning curve, this book focuses squarely on the rationale and practicality of the Revit® Architecture process through a series of hands-on lessons that promote a clear sense of the value of the software and an understanding of each tool's potential. In completing their building design projects successfully, readers will develop a first hand knowledge of what it takes to build design development models and create a complete set of construction documents for architectural production.
Lewis.Tsurumaki.Lewis: Opportunistic Architecture
by Paul Lewis
from Princeton Architectural Press
What if the constraints and limitations of architecture became the catalyst for design invention? The award-winning young architecture firm Lewis.Tsurumaki.Lewis calls their answers to this question 'opportunistic architecture.' It is a design philosophy that transforms the typically restrictive conditions of architectural practice—small budgets, awkward spaces, strict zoning—into generators of architectural innovation. Lewis.Tsurumaki.Lewis presents a diverse selection of built and speculative projects ranging from small installations to larger institutional buildings. Built projects are accompanied by thought-provoking texts, beautiful drawings and photographs. An appendix distills their design philosophy into five tactics, a readymade code for students and practitioners looking for design ideas for the real world. Lewis.Tsurumaki.Lewis is an architecture partnership established in New York City in 1997 by Marc Tsurumaki, Paul Lewis, and David J. Lewis. Paul Lewis is Assistant Professor at Princeton University. Marc Tsurumaki is Adjunct Professor at Columbia University. David J. Lewis is Associate Professor at Parsons The New School for Design.
Frank Lloyd Wright The Houses
by Alan Hess
from Rizzoli
Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.
Robert Venturi: Complexity and Contradiction in Architecture
by Robert Venturi
from "The Museum of Modern Art, New York"
First published in 1966, and since translated into 16 languages, this remarkable book has become an essential document in architectural literature. As Venturi's ""gentle manifesto for a nonstraightforward architecture,"" Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards.
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